Constructing Confidence
I got back from both New York and Philadelphia markets last week. It looks like we’ll be so busy in the next few short weeks, but it must be said, I did not write the usual number of orders required to keep us busy and profitable for the next few months. I am very frustrated.
I have always believed that not everyone should be self-employed. Making your own money is a hard thing to do. It’s a tough life sometimes. Sure, there is great freedom, especially when you have enough business to hire employees to create certain efficiencies. But there can also be huge anxiety. There is no safety net, no corporate big brother to make sure those paychecks are distributed on time, or even that there is money in the bank to support them.
Self-employment is not for the faint-of-heart.
My Philly show was quite rewarding, especially in light of the fact that I, and so many other artists and buyers, arrived late due to the blizzard of 2010. I didn’t score a lot of new business, but previous customers came and replenished their inventory.
My New York show, however, was a different story. Even after having my mother (remember, I mentioned employees) make one hundred phone calls in advance of the show, my final numbers were so low I lost money on the show. I’ve never had that experience at New York Gift before. Usually, the New York show is the big money-maker for me. I couldn’t believe the lack of business. On the plus side, every previous customer I saw did stop and write a new order, for which I am evermore grateful.
At first, it appeared that everyone in my section was having the same, surprisingly quiet show. By the end, however, it seemed that things turned out “okay” for just about everyone else in my area. My question is this: is it just a matter of adjusting one’s expectations? And, here’s another: how does one keep one’s faith that everything will be all right, when things don’t go as planned?
I’ve asked myself over and over what I could have done differently to achieve better sales. Frankly, I cannot come up with an answer. I did a mailing, an email blast, my mom made the phone calls, the booth looked good, the lighting was generous. I introduced new work, and even offered my buyers chocolate!
I’ve now seen the results of a survey conducted by Larry Hornung of http://craftshownews.com. His respondents seem to echo my experience: the Galleria handmade section just did not see the same buyer traffic as the rest of the show. It may be that the further back the buyers need to go, the less likely they are to get there.
Fortunately, GLM and Javits will be addressing that issue: Javits Center North will be open in August, placing us back at ground level, and integrated with the rest of the US/Canadian handmade product. Global Resources will be established to showcase handmade product made in other countries, which usually results in those inexpensive imports. Hallelujah! We’ll be in our own venue, which I believe will increase visibility, as well as keep our product from having to compete with cheaper imports.
In the meantime, it’s my job to reach out to the customers I may have missed at this year’s Winter shows. I have a strong track record of sales and profits for my company, as well as high customer satisfaction. It’s been a tough couple of years; we artists felt the recession coming long before the mortgage crisis hit. At this point, I need to re-commit to making the company strong, even when I feel fear. I have to deliberately construct my confidence. What’s that phrase? “Fake it ‘til you make it”? Yep, that’s what I will do. Rather than drown in my fear, I will choose to remain confident, choose to remain committed to my customers and their success. I make great work, and support my own work. When the market comes back, I will be here.
Here’s a bit of the newest work:

Wide-Band Rings hand-crocheted with Semi-Precious Stones

Lattice Ring

Hand-forged Silver FlowersHand-forged Gold Flowers

Hand-forged Gold Flowers









Bronagh Staley wants to see more kids dressed like they used to, before logos and television characters were found on everything from hats to socks. That’s the spirit driving Sweet William, her eclectic boutique offering timeless togs for tots. The minimalist shop is filled with stylish clothing for both boys and girls, from newborns to six-year-olds. The vibe is organic, with labels like Mor Mor Rita and Tuss, and preference is shown for independent designers creating traditional pieces like jeans, corduroy, coats and sensible shoes. The other well-curated merchandise includes cashmere blankets, pirate and ballerina costumes, and rag dolls handmade from vintage fabrics. 112 North Sixth Street, Brooklyn.
You’d know that blue box anywhere. Since 1837, Tiffany & Co. has been the world’s premier jeweler and America’s house of design. The inaugural store – a stationery and “fancy goods” emporium – opened at 259 Broadway with first day receipts totaling $4.98. In 1902, the jewelry department was created, and the 












